UNDERSTANDING
THE SYSTEM
CLASS A:
FALSE STRAYS
TYPES 1–11
CLASS B:
TRUE STRAYS
TYPES 1–22
SELECTED SPECIMENS
• 1-40
• 41-80
• 81-120
• 121-160
• 161-200
SITE STUDIES
• CLEVELAND, OH
• NIAGARA GORGE
• SCAJAQUADA CREEK
©2007 Julian Montague
The project
has been exhibited in a number of different ways. The first presentation
of the System as a set of prints in a gallery space was in 2002.
At the time this consisted of non-archival inkjet prints pinned to
the gallery walls with t-pins.
Each Type in the System was a separate print with further examples
of each Type taking the form of smaller prints connected by lines
of association. Other sections included Selected Specimens and Site
Studies. While this was not the best way to make a lasting body of
work, the method was within my means at the time and it was flexible
enough that it could fill different types of gallery spaces. |
My September 2006 solo show at Black and White gallery
was the first time I made use of vinyl lettering and graphic tape
to connect the language of the project to the individual pieces (see
below). I repeated
this approach on a smaller scale at the Margulies collection in
December 2006.
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| System Chart / 35"x40" / Light Jet print, face mounted to plexiglas //// Specimen print / 25"x31" | |
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| Black and White Gallery (Chelsea) / New York, New York / September 2006 | |
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| Black and White Gallery (Chelsea) / New York, New York / September 2006 / | |
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| Margulies Collection at the Warehouse / Miami, Florida / December 2006 | |
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| Black and White Gallery / Brooklyn, New York / March 2005 | |
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| Hallwalls Contemporary Arts Center / Buffalo, New York / April 2004 | Real Art Ways / Hartford, Connecticut / October 2003 |
STRAY
SHOPPING CART PROJECT EXHIBITION HISTORY (For
a full art bio see BIO) 2007 2006 2005 2004 2008 2006 2002 2000 |
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